Quote of the Week: Ormond McGill
Ormond McGill is a classic author in the hypnotic realm—not only for us as Mystery Performers, but for hypnotic practitioners as a whole. An elegant gentleman who was able to transmit his knowledge in a simple and pragmatic way.
This quote is a powerful example of his direct approach: understanding the hypnotic trance as a means to literally change the mind. Mentalism is no exception to this perspective. When you study hypnosis and the art of facilitating trance, you can elevate the impact of your performances. A mind-reading effect becomes a ritual of deeper connection; a prediction turns into a reminder of our power to shape destiny; psychokinesis transforms into a metaphor for the reach of the psyche.
Change your own mind so you can allow others to change theirs through your subtle actions.
If you are interested in learning my approach to hypnosis—along with practical applications that blend Mentalism and hypnotic trance—be sure to explore my Hypnosis Online Course: a personalized 1-on-1 learning experience.
Reductive Skepticism and Mentalism
Being a skeptic is a necessary skill to develop in order to dissolve the illusions we perceive as reality, allowing us to reach deeper truths.
The problem with most “skeptics” is that they are not truly interested in the pursuit of what is real, but rather in a closed-minded dogma that attacks anything that doesn’t fit within their own reductive paradigm. James Randi is a clear example of this tendency—approaching all supernatural claims with the belief that anything outside the scientific method must be false.
Personally, I don’t believe in the supernatural at all, because everything that Nature allows is, by definition, natural. The idea of something existing outside Nature is therefore somewhat absurd. We cannot be certain that we know everything, so this kind of hardcore skepticism ultimately damages our progress as humanity—and, in our case, our understanding and enjoyment of Mentalism.
In this conversation, you will see a flawed approach to interpreting Mentalism as merely a deceptive human practice. I am not here to defend Oz or Derren and their respective performance styles, but the point is being completely missed when trying to understand what they do purely from an “ethical” standpoint. We know that disclaimers don’t really work, because people are interested in enjoying the moment without the need for over-rational explanations.
Mentalism is about mystery. Don’t make direct claims—allow the audience to interpret what they experience
Who are you to decide whether what you
do is real or an illusion for others?
If you claim to have an ability that you do not actually possess, that is indeed deception—and as mentalists, we don’t need that.
Only claim what you can truly do, and then do it.
That alone can still be rooted in a deep sense of mental mystery.
At its core, Mentalism is an art form—a beautiful one that offers metaphors of the seemingly impossible, rooted in the mind. It creates experiences that can inspire and move others. If we apply only rationality to understanding this practice (whether as audience members or performers), we see only one side of it.
Mystery performance is not deception or meta-deception, but a unique form of self-expression—one that opens the door to a deeper appreciation of the unknown.
If we applied that same level of skepticism to all human practices, then every painting, every song, and even every scientific paper would be considered a lie. But we don’t see them that way, do we?
Enjoy the experience you offer as a mentalist. Let your participants and audience members engage with it in their own way. Don’t explain, and don’t expect explanations. True skepticism is not about acting as an ethical authority or moral judge, but about living in reflection and allowing others to explore their own potential for self-awareness.
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Quote of the Week: Bob Cassidy
Our beloved Bob Cassidy, in his Fundamentals eBook, offers a wealth of essential wisdom that can guide us from the very beginning of our path in this art. If you are a beginner, this work is indispensable; and if you already have experience, revisiting it from time to time will always ground you in what is truly necessary to offer meaningful Mentalism to others.
Too often, we rely on themes like astrology, psychology, or others we may choose—but we merely pretend. We do not truly understand what we are speaking about; we only know the methods used to deceive. Personally, I see Mystery Performance as something that goes far beyond lies and deception.
If you aspire to become an integral Mentalist, you must study esoteric traditions and open-minded sciences. If you claim expertise in the mysteries of the mind, you cannot simply use words without genuinely understanding their meaning and implications.
Do you need a PhD in parapsychology? Of course not. But by studying consistently—keeping up with current ideas, exploring new concepts, and reading authors beyond our immediate field—you will discover a fascinating landscape of new possibilities.
If I am honest, I am not deeply familiar with today’s mainstream Mentalism publications—not out of disinterest, but due to limited time. My studies are focused on related disciplines that I find far more nourishing than keeping up with the latest electronic device or trend being marketed.
If you truly care about authentic Mentalism, take a moment each day to learn—deeply and sincerely—so that what you offer becomes a genuine exploration, rather than a mere trick.
If you wish to go further, I highly recommend studying The Path of Mystery as a form of self-initiation and expansion of your paradigm in Mystery Performance.
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